For the March 2021 release, Anvil Creations Studio has released a unique keyboard album. It is a stark contrast to the tam-tam recordings that he has been doing for the previous nine years. The last such album to be recorded was his "Plaster Anvil" album, 30 years ago, and was released recently as "EsCaPe". On this release, Ken Moore plays: programmed synthesizers, Moog SubPhatty analog synthesizer, electric piano, chimes and various percussion, pipe organ, Steinway grand piano, electric guitar, kalimba (African thumb piano), string synthesizer (violin and cello), saxophone, harpsichord, mellotron (flute, oboe, viola), plucked and electric bass, vibraphone, African balafon, toy horn, toy whistle, Minimoog synthesizer. All instruments played by hands; there were no sequencers used in the making of NIGHT SKY.
New for 2021 is another in the series of sounds and live tam-tams from the Gong Room at Anvil Creations Studio.
Several new albums uploaded to the Anvil Creations B/C site....always free downloads.
The last release for 2020 started with a focus on the bells and wind chimes in Anvil Creations Studio's Gong Room. Experimenting with new DAW software, Ken has put together another collection of abstract pieces augmented by processed samples of acoustic sound. You can also find free downloads at mooremyers.bandcamp.com any time.
As in some of his other recent releases, the Short Story synthesizer makes another appearance on this album. More recordings from the Moog Sonic Six synthesizer also make their voices heard, as well as many modified acoustic sounds that Ken has recorded himself, and sculpted by way of the Audacity software.
This is a new album that follows the same patterns of composition that "SpoTs" has developed. Using the tam-tams from Anvil Creations Studio's Gong Room for a basis for building a soundscape, each piece has surprising new tracks.
Getting away from synthesized sound for a bit here, Ken has included Moog Sonic 6 and Crackle Box only on track #2 for this release. All other sounds have been formulated from acoustic sources, including the live sessions from the Gong Room at Anvil Creations Studio. Enjoy something a little different with headphones or on the speakers for your system.
More synth plus tam-tams! Newly released on the Moore/Myers Bandcamp site available for download and streaming NOW.
New releases to the Anvil Creations Bandcamp site have been: a 1980 cassette composition from IEMA president James Finch, an Abstract Tribal Pandemic EP titled "Orange" from Ken Moore, a private cassette release from Mars Everywhere member, the late Barney Jones, a collection of short pieces from the original AC catalog, "For the Duration", plus a cassette sampler of E-Music also from the AC catalog active in the 1980s by Ken Moore called "Il n'ya pas de Quoi".
"I have always loved the sound that cymbals and gongs can produce. This was made public with the release of my Heavy Metal Series 1-5. All the odd tracks on "Vast Din" are a marriage of the tam-tams' sounds with the multiple oscillators from the Short Stories. The even tracks are "solo" stories, using three live recordings, with two takes panned hard left and hard right, leaving one in the center of the stereo field. This combination makes the Short Stories seem like an orchestra of oscillators.
"The six tracks on this album are just as much fun to hear on headphones as they are on your favorite speaker system. I have had a lot of pleasure recording these pieces, and it is my sincere wish that you will enjoy them as much, if not more, than I have." -Ken Moore
"The six tracks on this album are just as much fun to hear on headphones as they are on your favorite speaker system. I have had a lot of pleasure recording these pieces, and it is my sincere wish that you will enjoy them as much, if not more, than I have." -Ken Moore
The album, EsCaPe, had been lost on VHS tape for 30 years. Now, for the first time since its release in CMC's AfterTouch magazine as "Plaster Anvil", it has been digitized and uploaded to the Moore/Myers Bandcamp site for streaming and download. All tracks, after the first three, were done exclusively on
the Emu sampler called Emax, and have retained an excellent state freshness. This was Ken's last tape
that was never added to his mailing list in 1991. As a cassette, it didn't fare well in the light of the more
popular format of compact discs. "Tec Talk" was the last recording that Wayne and Ken worked together.
the Emu sampler called Emax, and have retained an excellent state freshness. This was Ken's last tape
that was never added to his mailing list in 1991. As a cassette, it didn't fare well in the light of the more
popular format of compact discs. "Tec Talk" was the last recording that Wayne and Ken worked together.
New this year on Bandcamp: EsCaPe (previously known as Plaster Anvil) with a track contributed by Wayne Myers/1989)
The third release this year! Now you can experience the excitement of a sound concert in the privacy of your home.
Six live events featuring the experimental music of Safe Creations from 2012 through 2016, including Sonic Circuits.
<< anvilcreations.bandcamp.com >>
Six live events featuring the experimental music of Safe Creations from 2012 through 2016, including Sonic Circuits.
<< anvilcreations.bandcamp.com >>
Newly released in February of 2020, "Weather Ore Naught" by Ken Moore. Includes music not included on his 1991 release, "Plaster Anvil" (which will have a retro release later this year), new recordings and a remake of his 1980 title track from the first cassette tape in the Electronic Music Series, "Tempus Fugit". Three of the tracks introduce the innovative effects synthesizer invented by Allen Myers, called "Short Stories" (available from Acoustic Imaginearing).
THIS ALBUM AND OTHERS ARE AVAILABLE FROM THE MOOREMYERS.BANDCAMP.COM SITE AS A DIGITAL DOWNLOAD IN YOUR CHOICE OF FORMATS.
As the title of this all-electronic collection of music from Dave Vosh, Ken Moore and Daniel Barbiero suggests, Combinations and Permutations comprises music in which individually contributed sounds provided the foundation for layered compositions based on the modification, augmentation and variation of initial thematic structures.
Using a hybrid analogue modular synthesizer rig combining Doepfer and other European synth modules, Vosh provided an underpinning continuo of semi-autogenerated slabs of sound; Barbiero independently created linear or sound-color melodies with the Microbrute synthesizer and various synthesizer apps for iPad. Vosh and Barbiero sent their parts to Moore; based on the sounds and shapes of Barbiero’s material, he then improvised complementary parts of his own and embellished the results with sounds from Vosh’s syntheszer. The final outcome of this process of invention and assemblage is the set of unified and layered compositions that make up Combinations and Permutations.
Dave Vosh: Analogue modular synthesizer
Ken Moore: Moog SubPhatty synthesizer
Daniel Barbiero: Microbrute synthesizer; iPad
Available January 2020 from: anvilcreations.bandcamp.com
Using a hybrid analogue modular synthesizer rig combining Doepfer and other European synth modules, Vosh provided an underpinning continuo of semi-autogenerated slabs of sound; Barbiero independently created linear or sound-color melodies with the Microbrute synthesizer and various synthesizer apps for iPad. Vosh and Barbiero sent their parts to Moore; based on the sounds and shapes of Barbiero’s material, he then improvised complementary parts of his own and embellished the results with sounds from Vosh’s syntheszer. The final outcome of this process of invention and assemblage is the set of unified and layered compositions that make up Combinations and Permutations.
Dave Vosh: Analogue modular synthesizer
Ken Moore: Moog SubPhatty synthesizer
Daniel Barbiero: Microbrute synthesizer; iPad
Available January 2020 from: anvilcreations.bandcamp.com
Ken has been involved in collaboration with several other experimental musicians over the years, and this project allowed him to use his own resources to compile source recordings used for the finished tracks. The first eight tracks on this album are the results of his experimenting with prepared noise boxes, which were taken to his concert on Nov. 2nd, and presented as a surprise to those who watched with puzzled curiosity.
Included in this release is a 2016 remix of the original "Windchimes" recording, included on the album "Approaching Velocity". The chimes used in this recording were done on an analog tape machine, namely Ken's Tascam 38, which used 1/2" magnetic tape with no noise reduction. No added tape manipulation was used in this composition.
Finally, the conclusion of this album is the best audio recording from a series of practice sessions Ken did in a mock-up arrangement for his concert crammed in the small studio called the Gong Room. Especially difficult was the "gong wash", which tended to be much louder than the beginning of the session, and more often than not, caused distortion on the digital recorder, which was unattended at the time of performance.
Included in this release is a 2016 remix of the original "Windchimes" recording, included on the album "Approaching Velocity". The chimes used in this recording were done on an analog tape machine, namely Ken's Tascam 38, which used 1/2" magnetic tape with no noise reduction. No added tape manipulation was used in this composition.
Finally, the conclusion of this album is the best audio recording from a series of practice sessions Ken did in a mock-up arrangement for his concert crammed in the small studio called the Gong Room. Especially difficult was the "gong wash", which tended to be much louder than the beginning of the session, and more often than not, caused distortion on the digital recorder, which was unattended at the time of performance.
This project began as a series of rehearsals for his first live performance in Baltimore as a solo artist since 1981. He wanted to present analog percussion as an "electronic music" performance, using singing bowls and a selection of his tam-tams, with several small gongs. He came up with the idea of prepared random noise boxes to accentuate the bell-like quality of bowls and gongs. New on mooremyers.bandcamp.com for the 2019 holiday season!
This year's NEM event is being held on November 2, 2019. The set opens with Ken Moore performing with gongs, bowls, tam-tams and prepared boxes [of special effects]. The entire day will be a variety of artists performing every half hour. Ken will begin at 12 noon, and the last set will end between 9 and 10 PM. The cost of entry is $10, and is good for the entire day. Many electronic artists, and some experimental with a semblance to the electronic genre, will be there to entertain and amaze visitors. Come join in the fun at the National Electronics Museum on West Nursery Road in Linthicum just outside of Baltimore, Maryland.
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Dave Vosh and Ken Moore have released their seventh album together in October of 2019. Past releases have been the Safe Creations collaboration and in keeping with the earlier ones, this is found on the Moore/Myers Bandcamp page.
The revival of Doerr & Drumm began this year with a spaghetti dinner at Journey Covenant Church in May of 2019, and continued with more live music for a
neighborhood yard sale sponsored by Grace Summit Community Church on June 1, 2019. Both occurred in the City of Cuyahoga Falls, Ohio, Summit County.
neighborhood yard sale sponsored by Grace Summit Community Church on June 1, 2019. Both occurred in the City of Cuyahoga Falls, Ohio, Summit County.
The Electric Maid in Washington D.C. presented a concert dedicated to the passing of a fellow experimental artist, Keith Sinzinger, and Ken Moore was there
to participate using percussion items with electronic sounds created by Logan Mitchell, Sr., along with other participants that evening offering different sets.
FEBRUARY 23, 2019
to participate using percussion items with electronic sounds created by Logan Mitchell, Sr., along with other participants that evening offering different sets.
FEBRUARY 23, 2019
We have a date set for the next Electronic Music event at the National Electronics Museum in Baltimore. It will be on Saturday, November 3, 2018. Dan and Dave will be there, and possibly Ken although this is not looking very likely at this point.
The new release from Daniel Barbiero, Dave Vosh and Ken Moore is now available from Pan y Rosas Discos online.
These are the tracks on the release. Originally we were going to have a short run CD made, but decided not to do that. Digital release only. Free downloads.
Electronic Mutations is now available on the Moore/Myer Bandcamp site. The tracks are all performed on the Moog SubPhatty analog synthesizer by K. Moore.
Not a lot happening over the winter to report, but here is an update on events coming up later this year.
Ken Moore is planning another release for his moore/myers.bandcamp site, and this will most likely be the next thing to materialize. It will probably be called "Electronic Mutations" with recordings done exclusively on the Moog SubPhatty, which has been used at the NEM event of late.
Daniel Barbiero, Ken Moore and Dave Vosh have formed a trio called Pentatope, and will have a new album to be going live on September 1, 2018. They are calling this "Transparent Points on Four Axes", and it is another digital album with pan y rosas, which released Dan and Ken's "Frequency Drift" and more recently, "Lunge".
Finally, we have a date set for the next Electronic Music event at the National Electronics Museum in Baltimore. It will be on Saturday, November 3, 2018. Dan and Dave will be there, and possibly Ken although this is tentative.
Ken Moore is planning another release for his moore/myers.bandcamp site, and this will most likely be the next thing to materialize. It will probably be called "Electronic Mutations" with recordings done exclusively on the Moog SubPhatty, which has been used at the NEM event of late.
Daniel Barbiero, Ken Moore and Dave Vosh have formed a trio called Pentatope, and will have a new album to be going live on September 1, 2018. They are calling this "Transparent Points on Four Axes", and it is another digital album with pan y rosas, which released Dan and Ken's "Frequency Drift" and more recently, "Lunge".
Finally, we have a date set for the next Electronic Music event at the National Electronics Museum in Baltimore. It will be on Saturday, November 3, 2018. Dan and Dave will be there, and possibly Ken although this is tentative.
A successful improvisation based on the whole tone scale in C at the National Electronics Museum in Linthicum [Baltimore] Maryland. This photo was taken by Joe Wall. Daniel Barbiero (left) on double bass; Ken Moore (right) on analog synthesizer.
These two pictures of Daniel Barbiero and Ken Moore were taken at the live performance at the NEM on Saturday 11/4/17 by Beth Taylor Photography.
For the East Coast, this special event taking place outside Baltimore, Maryland the first Saturday of next month: NOVEMBER 4, 2017.
This new release, completed just after Cassini made its final assignment complete after 20 years in space collecting data from Saturn, its rings and moons, is now available from Anvil Creations Studio here: anvilcreations.bandcamp.com
This is the special packaging cover for the audio CD that is being mailed to several radio stations on the east side [and one on the west coast] for airplay.
In keeping with the current trend, below is the cassette over that will be used for the new Safe Creations release, "Images of Saturn", on the ACS label.
The newest release from Ken Moore on Bandcamp is a collection of original computer music called Digital Disturbances available this September 2017.
Ken has also made copies on compact disc and high quality cassette tape. To order a copy on physical media, see the contact section for Ken on this site:
mooremyers.bandcamp.com
Ken has also made copies on compact disc and high quality cassette tape. To order a copy on physical media, see the contact section for Ken on this site:
mooremyers.bandcamp.com
Several pictures from the August Noise Lunch in Cleveland from 2017. Sean Liam Holt on modular synth with Ken Moore on the big drums.
While Ken and Daniel have collaborated via email to produce their first net release together, the newest album from this unlikely duo was recorded in Dan's own studio in Silver Spring, Maryland. For LUNGE, Ken used absolutely no tam tams or gongs of any sort. Instead, he returned to his roots on several analog synthesizers, using a MiniBrute and a SubPhatty with Lexicon effects. Dan's improvisation on the double bass continues in stride as the electronics provide minimal frequency patterns which he then picks up on and elaborates in an unique way only Barbiero can accomplish. Released on April 5, 2017, this new album already has had multiple listens and as many downloads from Pan y Rosas and on Free Music Archive. This photo of the two of them was taken at a concert they performed at the National Electronics Museum with Dave Vosh several years ago. Cover photographs were taken by Kenneth Moore.
Check out Daniel's site which provides some useful links to their music. https://danielbarbiero.wordpress.com
And Ken has taken on a new site which details the history of Anvil Creations Studio completely. http://anvilcreationsstudio.wordpress.com
Check out Daniel's site which provides some useful links to their music. https://danielbarbiero.wordpress.com
And Ken has taken on a new site which details the history of Anvil Creations Studio completely. http://anvilcreationsstudio.wordpress.com
New from Anvil Creations Studio: a re-mastered retro-release by Ken Moore. Copy and paste: https://mooremyers.bandcamp.com/album/prism-eye-glass
PRISM EYE GLASS
KEN MOORE ANVIL CREATIONS
Sometime between ELIXIR and OUR OWN UNIVERSE, there was a recording session that was never released on cassette tape by Anvil Creations Studio. This music was transferred to compact disc in 1998. With the emergence of a name-your-own-price page on Bandcamp.com, it was decided that the collaboration between Ken Moore, Mike Prezioso and Mark Chance would make its first appearance after more than 40 years on the shelf.
This obscure band is called Magnificat; not an original name, but at the time, it was an appropriate title. Mike did an outstanding job on the drums, and Mark had done some of his best bass playing during these sessions. Most interesting is Ken's use of the Moog minimoog synthesizer, which together with the organ and piano, he led the group on undiscovered territory. Marred by some noise made in the sound room during the recording, it was not included in the original Anvil Creations' catalogs. Now, you can experience the excitement and adventure unheard, until now, by three young and ambitious musicians in 1975.
There are four bonus tracks, not expected to be included on the album (if it were to be released in 1982) that will be included in the full album download.
Free streaming is also available at https://anvilcreations.bandcamp.com.
The original titles for The Prez Tapes were:
1. Magnificat
2. Infrared Otter
3. Red Ruby Rush
4. Space Flux
5. The Prez Man
This obscure band is called Magnificat; not an original name, but at the time, it was an appropriate title. Mike did an outstanding job on the drums, and Mark had done some of his best bass playing during these sessions. Most interesting is Ken's use of the Moog minimoog synthesizer, which together with the organ and piano, he led the group on undiscovered territory. Marred by some noise made in the sound room during the recording, it was not included in the original Anvil Creations' catalogs. Now, you can experience the excitement and adventure unheard, until now, by three young and ambitious musicians in 1975.
There are four bonus tracks, not expected to be included on the album (if it were to be released in 1982) that will be included in the full album download.
Free streaming is also available at https://anvilcreations.bandcamp.com.
The original titles for The Prez Tapes were:
1. Magnificat
2. Infrared Otter
3. Red Ruby Rush
4. Space Flux
5. The Prez Man
New on mooremyers.bandcamp.com is Anvil Creations: A Musical History Vol. 3. This is a collection of music from the period 2000 thru 2009. Download this sampler covering Elastic Collision [with Frank Ashley, Jr.] thru Safe Creations [with Dave Vosh] for the modest price of $5.00.
Three new classic cassettes have been uploaded to Anvil Creations' Bandcamp page: the I.E.M.A. Collective Tapes #4, #5 and #6.
These tapes are available for streaming and free downloading. All tracks were donated by the artists in 1982, and are presented here for promotional purposes [for those who are still living]. Group Tape 4 is dedicated to the memory of Michael Roden and to Jack Schrage. Group Tape 5 remembers Mike Roden and Lauri Paisley, both of whom are no longer with us. ENJOY these classics.
These tapes are available for streaming and free downloading. All tracks were donated by the artists in 1982, and are presented here for promotional purposes [for those who are still living]. Group Tape 4 is dedicated to the memory of Michael Roden and to Jack Schrage. Group Tape 5 remembers Mike Roden and Lauri Paisley, both of whom are no longer with us. ENJOY these classics.
Photos by Beth Taylor Photography
The stage is set for the last act. Photo courtesy of Jeff Brown.
Photo courtesy of Jeff Brown
Once a year Dave Vosh curates an eventful day in cooperation with the museum's director, Mike Simons. This year has many of the Electronica-Fest regulars, plus an addition of a few newcomers. Friends, Emory Stagmar, Allen Myers and Ed Edwards , make an appearance as Ezekiel's Wheel. Ken and Dave will also be there as Safe Creations, and Daniel Barbiero and Dave Vosh will conclude the evening with a special guest on another analog synthesizer.
The fifth installment of Ken's "Heavy Metal" series has now been uploaded for a special free promotional offer. Contributions are always welcome, and the first four Phaze albums are also available at moore/myers.bandcamp.com ! This set of live recordings, made during July of 2012, can only be downloaded as a whole, and it will include a 9th bonus track (not seen) which is an altered, experimental project using only a Sabian flat top drilled for use as a tam-tam, and mastered by Ken Moore in September of 2016.
Another in the series of free downloads recently added is Group Tape #3 from the International Electronic Music Association. This time, original music from John Wiggins, Roger Luther, the late William Ashley Cooper, Chuck Larrieu, Peter Kaminski, Emerald Web (with the late Bob Stohl and Kat Epple), (Stuart) Rosenzweig & Moore (Ken), and the Nightcrawlers (Peter Gulch, the late Tom Gulch, and Dave Lunt). Enjoy at name-your-price.
The year was 1981, and Ken had been introduced to a young pianist, Susan Dobrowolsky, who studied at Peabody in Baltimore.
Planning another concert, this time at a community college, he asked Susan if she would share the stage with him. She agreed, and the late Dave Dillman drew up another poster for them, which was nailed up all around town. These are some recordings Ken had made of her playing some of her original piano compositions. Share the experience at anvilcreations.bandcamp.com.
Planning another concert, this time at a community college, he asked Susan if she would share the stage with him. She agreed, and the late Dave Dillman drew up another poster for them, which was nailed up all around town. These are some recordings Ken had made of her playing some of her original piano compositions. Share the experience at anvilcreations.bandcamp.com.
The new studio album by Safe Creations will be Anvil Creations' 62nd release since it's inception in 1980. Similar in content to their last "Modular Landscapes" album, this collection of abstract compositions takes modular synthesizers and tam-tam experimentation to the next level.
Now available on zeromoon.bandcamp.com
With the release of "A Minor Eruption" on Zeromoon, Anvil Creations has provided a companion release with synth-only tracks, some of which were used for the assemblage of their 4th studio album. Out of the ten tracks here, six of them, recorded by Dave but mixed by Ken, have never been heard until now. Download for free at www.anvilcreations.bandcamp.com July, 2016.
The very first tape distributed by Anvil Creations representing the members of the International Electronic Music Association has been posted online by Hal McGee, and can be found here: www.haltapes.com, with a link to cassetteartclassics.bandcamp.com and requires a minimum $2 contribution for download.
With the addition of www.anvilcreations.bandcamp.com, you are now able to stream and download for free, the next in the series of I.E.M.A. Group Tapes: Collective Tape #2. This anthology of independent music was collected and arranged by Ken Moore in 1981, and was well received as a cassette distribution tape via mail order. Each tape was individually dubbed in real time, and started out with hand-drawn covers by Ken himself. Later copies were Xeroxed, but all were on high quality Maxell tape. This digital copy was taken from one of those such tapes.
With the addition of www.anvilcreations.bandcamp.com, you are now able to stream and download for free, the next in the series of I.E.M.A. Group Tapes: Collective Tape #2. This anthology of independent music was collected and arranged by Ken Moore in 1981, and was well received as a cassette distribution tape via mail order. Each tape was individually dubbed in real time, and started out with hand-drawn covers by Ken himself. Later copies were Xeroxed, but all were on high quality Maxell tape. This digital copy was taken from one of those such tapes.
With the development of a new Anvil Creations Bandcamp page, Ken and Dave have made available to the public their first recording for the same price it was originally distributed: for FREE.
This was a sample recording made in the Gong Room just before their first performance in 2012.
After 4 studio releases, this "live recording" still stands up as an unique and creative adventure.
From the Moore/Myers.Bandcamp.com site, the latest retro-release from the original Anvil Creations catalog (#22) AC063
Anvil Creations Studio is proud to have released another in the series of retro-cassette albums called "The Chess Kingdom". Recorded at the time Ken was involved with the progressive rock band, Kameleon, and released originally just after "Prism Eye Glass" and before the Moore/Myers' album "Reaching Beyond the Sphere", this collection, of primarily keyboard compositions, features a piano version of the title track, and a drum accompanying version of "Xanthic".
Some of these tracks were previously available on the Anvil Creations: A Musical History, Volume One sampler on Bandcamp.com, but many are new to the digital domain. Care was taken to properly represent the tracks, originally recorded on a Teac 2340 four channel simul-sync tape recorder, and there are some fluctuations in sound quality here, but the intent was to showcase the compositional work Ken created in the 1970s-1980s, and preserve the pieces for others to enjoy. Hopefully, some of Ken's influences can be seen here, such as the indicated nods toward Italy's Sensations Fix and the USA band, Happy the Man.
Some of these tracks were previously available on the Anvil Creations: A Musical History, Volume One sampler on Bandcamp.com, but many are new to the digital domain. Care was taken to properly represent the tracks, originally recorded on a Teac 2340 four channel simul-sync tape recorder, and there are some fluctuations in sound quality here, but the intent was to showcase the compositional work Ken created in the 1970s-1980s, and preserve the pieces for others to enjoy. Hopefully, some of Ken's influences can be seen here, such as the indicated nods toward Italy's Sensations Fix and the USA band, Happy the Man.
The latest collaboration between Daniel Barbiero and Ken Moore is now available for download or listens. The official release date for "Frequency Drift" was March 29th, and is available from Pan y Rosas with an additional site at Free Music Archives (see copy and paste links below). As of April 8th, the downloads were at 914, with 5198 listens! These are extremely good statistics, and it is Ken's first available release [with Dan and] as a free download. Check it out.
The PyR release page is: http://www.panyrosasdiscos.net/2016/03/pan-y-rosas-release-frequency-drift-by-daniel-barbiero-and-ken-moore/
The Free Music Archive page is: http://freemusicarchive.org/music/daniel_barbiero__ken_moore/
The numbers good, as of July 16--13,742 listens and 1,760 downloads already. "We may have a classic on our hands"- Dan
The PyR facebook page is: https://www.facebook.com/panyrosasdiscos
Here's our first review: http://worldofabstractdreams.blogspot.com/2016/04/frequency-drift.html
The Free Music Archive page is: http://freemusicarchive.org/music/daniel_barbiero__ken_moore/
The numbers good, as of July 16--13,742 listens and 1,760 downloads already. "We may have a classic on our hands"- Dan
The PyR facebook page is: https://www.facebook.com/panyrosasdiscos
Here's our first review: http://worldofabstractdreams.blogspot.com/2016/04/frequency-drift.html
Vinyl-On-Demand, directed by Frank Maier, recently released the American Cassette Culture box set, VOD139, with 12 records and a 48 page LP-sized booklet.
This set includes an Anvil Creations box set with five records, one double LP and three singles, and a bonus 7" record with additional works by Ken Moore.
The booklet contains an introduction and commentary by Archie Patterson, of Eurock. Here is a sample:
American Cassette Culture 1971-1983
Back in the 1970s, early 80s corporate control of the music industry was established. In opposition to that, there also arose a DIY phenomena called cassette albums which allowed artists to record and duplicate their music easily themselves.
In the USA Eurock was one of the first labels as well as distributors of DIN label cassettes by US artists as well as International label releases. Germany’s Vinyl On Demand label has just released the definitive set documenting the early American EM pioneers original cassette albums.
American Cassette Culture 1971-1983 is comprised of 17 different Lps by US electronic musicians - Don Slepian, Steve Roach, Marc Barecca, Anode, K Leimer, Young Scientist, Ken Moore and Galen.
In keeping with the VOD labels exacting high-quality standards, the albums are presented in deluxe box sets. They come in various configurations including an extensive 48-page 12”X12” booklet extensively annotated with an historical essay by yours truly, in-depth artist Bios as well as historical document images. The albums of each the various artists are also available as individual LP releases.
They were just released in Germany. Reviews are forthcoming in the future…
Saw this one on Juno.co.uk:
Review: Vinyl On Demand are on a bit of a roll as of late, and this extensive - and largely excellent - collection of lo-fi tape recordings is another stunning example of how these guys operate. Not happy with having explored a vast amount of music from the European quarters, Frank Maier, the head of the label, has decided to go give himself an ambitious mission here by collating rare and wonderful recordings from the American cassette culture, masterfully executed and beautifully packaged. With 12 LPs, two 7 inches, and well over 100 tracks on here, this is any collector's dream, a sign that God must exist and that we were silly to think that such perfection couldn't be packed into a compilation. From the wonky drum machine jams of Marc Barreca, to Anode Productions, K Leimer, and even Steve Roach's visionary proto-electro/techno, there is so much gold in here that we're quite taken aback ourselves. it's almost the end of 2015 already, and this might well make it into the top 5 releases of the year. No, we're not joking, it's that important, and that good. All killer, no filler.
This set includes an Anvil Creations box set with five records, one double LP and three singles, and a bonus 7" record with additional works by Ken Moore.
The booklet contains an introduction and commentary by Archie Patterson, of Eurock. Here is a sample:
American Cassette Culture 1971-1983
Back in the 1970s, early 80s corporate control of the music industry was established. In opposition to that, there also arose a DIY phenomena called cassette albums which allowed artists to record and duplicate their music easily themselves.
In the USA Eurock was one of the first labels as well as distributors of DIN label cassettes by US artists as well as International label releases. Germany’s Vinyl On Demand label has just released the definitive set documenting the early American EM pioneers original cassette albums.
American Cassette Culture 1971-1983 is comprised of 17 different Lps by US electronic musicians - Don Slepian, Steve Roach, Marc Barecca, Anode, K Leimer, Young Scientist, Ken Moore and Galen.
In keeping with the VOD labels exacting high-quality standards, the albums are presented in deluxe box sets. They come in various configurations including an extensive 48-page 12”X12” booklet extensively annotated with an historical essay by yours truly, in-depth artist Bios as well as historical document images. The albums of each the various artists are also available as individual LP releases.
They were just released in Germany. Reviews are forthcoming in the future…
Saw this one on Juno.co.uk:
Review: Vinyl On Demand are on a bit of a roll as of late, and this extensive - and largely excellent - collection of lo-fi tape recordings is another stunning example of how these guys operate. Not happy with having explored a vast amount of music from the European quarters, Frank Maier, the head of the label, has decided to go give himself an ambitious mission here by collating rare and wonderful recordings from the American cassette culture, masterfully executed and beautifully packaged. With 12 LPs, two 7 inches, and well over 100 tracks on here, this is any collector's dream, a sign that God must exist and that we were silly to think that such perfection couldn't be packed into a compilation. From the wonky drum machine jams of Marc Barreca, to Anode Productions, K Leimer, and even Steve Roach's visionary proto-electro/techno, there is so much gold in here that we're quite taken aback ourselves. it's almost the end of 2015 already, and this might well make it into the top 5 releases of the year. No, we're not joking, it's that important, and that good. All killer, no filler.
First Review (UK)!
Epic Box Set from Vinyl On Demand, Edition of just 300 copies (Individually numbered)
An unparalleled showcase of American Cassette Culture: Recordings 1971 - 1983 presenting tape releases by K. Leimer, Don Slepian, Steve Roach, Marc Barreca, Anode (Productions), Young Scientist, Ken Moore, and Galen, available on vinyl for the first time.
As Vinyl-on-Demand have almost exhausted the reserves of '80s European tape music, Frank Maier's label turns its attentions to America during the same era in order to highlight the similarities and difference between the two scenes and their double refraction of influence upon each other.
It pays particular focus to Archie Patterson's Eurock Magazine & Distribution, who distributed and/or issued many of the works contained in this box. Besides running Eurock, Patterson also hosted an influential radio show playing European rock music in the early '70s, from where he famously hooked Michael Mann up with Tangerine Dream's OST for Thief.
There's a remarkable breadth and quality to the music inside, fathoming the spiraling synthlines and 4th world proto-electro of Steve Roach's Now (1982), beside an enchanted set of early, ambient Kerry Leimer albums circa 1978-1979; the space rock of Young Scientists; abstract drone excursions from Anode Productions; personalized ambient head music from Marc Barreca.
V-O-D continues to amaze us...
Epic Box Set from Vinyl On Demand, Edition of just 300 copies (Individually numbered)
An unparalleled showcase of American Cassette Culture: Recordings 1971 - 1983 presenting tape releases by K. Leimer, Don Slepian, Steve Roach, Marc Barreca, Anode (Productions), Young Scientist, Ken Moore, and Galen, available on vinyl for the first time.
As Vinyl-on-Demand have almost exhausted the reserves of '80s European tape music, Frank Maier's label turns its attentions to America during the same era in order to highlight the similarities and difference between the two scenes and their double refraction of influence upon each other.
It pays particular focus to Archie Patterson's Eurock Magazine & Distribution, who distributed and/or issued many of the works contained in this box. Besides running Eurock, Patterson also hosted an influential radio show playing European rock music in the early '70s, from where he famously hooked Michael Mann up with Tangerine Dream's OST for Thief.
There's a remarkable breadth and quality to the music inside, fathoming the spiraling synthlines and 4th world proto-electro of Steve Roach's Now (1982), beside an enchanted set of early, ambient Kerry Leimer albums circa 1978-1979; the space rock of Young Scientists; abstract drone excursions from Anode Productions; personalized ambient head music from Marc Barreca.
V-O-D continues to amaze us...
A special presentation at the National Electronics Museum in Nov. 2015 uniting Akousma [Dave Vosh/Daniel Barbiero] with Safe Creations [Dave & Ken].
Released on March 29, 2016 on Pan Y Rosas! An internet release of new music by Ken Moore & Daniel Barbiero, entitled "Frequency Drift".
Ken with his first Zildjian gong [tam tam]and stand in Cuyahoga Falls, Ohio.
ANNOUNCING THE LATEST RELEASE FROM DAVE VOSH AND KEN MOORE, AKA SAFE CREATIONS, AVAILABLE JUNE 1, 2015: MODULAR LANDSCAPE
Celebrating 40 years of recording sound as Music. Electro-acoustic music from Anvil Creations Studio.
The latest release by Safe Creations on Bandcamp.com, is the 3rd album by Ken Moore and Dave Vosh, containing 8 tracks of adventurous sounds. AC61
Ken has finished the new release from Safe Creations, and Dave and Ken have made it a free download, so look for it on Zeromoon.
Jeff Surak has agreed to host this new release, "A Minor Eruption", on his Zeromoon label. Available online and Bandcamp in 2016.
Visit the Anvil Creations Studio Facebook page to see more pictures of the ever-changing ACS studio, comments and news about current events, and personal posts from Anvil Creations' director, Ken. The latest album is always ready to preview when you hit the b/c tab on this page, and there is a direct link to the Bandcamp.com site right there from ACS's Facebook site. The b/c page is mobile friendly as well.
Ken has finished the new release from Safe Creations, and Dave and Ken have made it a free download, so look for it on Zeromoon.
Jeff Surak has agreed to host this new release, "A Minor Eruption", on his Zeromoon label. Available online and Bandcamp in 2016.
Visit the Anvil Creations Studio Facebook page to see more pictures of the ever-changing ACS studio, comments and news about current events, and personal posts from Anvil Creations' director, Ken. The latest album is always ready to preview when you hit the b/c tab on this page, and there is a direct link to the Bandcamp.com site right there from ACS's Facebook site. The b/c page is mobile friendly as well.
Anvil Creations Studio is pleased to celebrate its 40th year of recording Sound as Music, and is making available for the first time since 1980, a special digital edition of the International Electronic Music Association's first collective tape project. On this site, Hal McGee has uploaded all ten of the sample tracks from Group Tape #1, so copy and paste this to your browser to listen: https://cassetteartclassics.bandcamp.com/album/i-e-m-a-collective-group-tape-1
As the Anvil Creations Studio page on Facebook is so hard to navigate (especially on Wi-Fi), I have decided to keep the ACS catalog updated on this site instead. Here is the list starting from the very beginning, with the tapes that are generally not available (except on special request).
AC01 Frame of Reference C-60
AC02 Tempus Fugit [EMS#1] C-46
AC03 Friday the 13th [limited-live tape] C90
AC04 Sense of Recreation C-60
AC05 Elixir [Larry Jeter & Ken Moore] C-60
AC06 To Come Into Being [EMS#2] C-60
AC07 Our Own Universe [Stuart Rosenzweig & Ken Moore] C-60
AC08 Loubi Stem [EMS#3] C-46
AC09 Eccentric___ or ____Projections [Rosenzweig & Moore] 2 C-60s / sold separately
AC10 Eccentric Projections [Rosenzweig & Moore] 2 X C-60 (double album)
AC11 In a Pound of Logic C-60
AC12 To No Avail [EMS#4] C-60
AC13 Inflectional Stimulus [AC02+08 / when the C-46 tapes were discontinued] C-90
AC14 Il n'y a pas de Quoi [sampler tape 1983] C-60
AC15 The First Transfinite Infinity [Ken (whole tone mood inventions) with Mike Prezioso and Larry Jeter] C-90
AC16 Plaster Anvil [sampler from AC01, AC02 and AC20(as yet unreleased)] C-90
AC17 Venus [Rosenzweig & Moore] C-90 (live tape, no longer available)
AC18 For the Duration [sample of short pieces] C-90
AC19 The Jupiter Effect [EMS#5 C-60
AC20 Prism Eye Glass C-60
AC21 Spontaneous Creations [direct-to-tape live compositions/sampler] C-60
AC22 The Chess Kingdom C-60
AC23 Reaching Beyond the Sphere [Moore/Myers] C-60 (also released by Auricle Music, Great Britain) D-60
AC24 Nine Days Wonder [Moore/Myers] C-60 / D-60
AC25 Plaster Anvil [Moor100 / CMC-AfterTouch] C-60 (revised version)
AC26 Centrifugal Force [Minas Tirith / fictional group] D-80 b/c
AC27 Convictions From My Extraction [sampler of Electronic Music Series] D-80
AC28 Listening at the Speed of Sleep [Frank Ashley, Jr. & Ken Moore] Elastic Collision D-80 b/c
AC29 Visitors Welcome [Frank Ashley, Jr. & Ken Moore] Elastic Collision D-80 b/c
AC30 Approaching Velocity D-80 b/c
AC31 Reaching Beyond the Sphere [re-release] Moore/Myers D-80 b/c (also on Auricle Music, U.K.)
AC32 Nine Days Wonder [re-release] Moore/Myers D-80 b/c (also on Auricle Music, U.K.)
AC33 Ken Moore Groups [part of 20/20 (Moore/Myers) with Kameleon and Runner] D-80 b/c
AC34 Anvil Creations: A Musical History, Volume One [sampler, 1971-1979] D-80 b/c
AC35 Anvil Creations: A Musical History, Volume Two [sampler. 1980-1999] D-80 b/c
AC36 Tempus Fugit [retro-release] D-80 b/c
AC37 Our Own Universe [retro-release] D-80 b/c
AC38 Morning Creations D-80 b/c
AC39 To Come Into Being [remastered] D-80 b/c
AC40 XpairAmendT D-80 b/c
AC41 Elixir [retro-release] Ken Moore & Larry Jeter D-80 b/c
AC42 FRame Of REcreation [retro-release] D-80 b/c
AC43 Sense of Recreation [retro-release] D-80 b/c
AC44 In a Pound of Logic [retro-release] D-80 b/c
AC45 Loubi Stem [retro-release] D-80 b/c
AC46 Heavy Metal-Phaze One D-80 b/c
AC47 PastTime D-80 b/c
AC48 Eccentric Projections, Volume One [retro-Rosenzweig & Moore] D-80 b/c
AC49 Eccentric Projections, Volume Two [retro-Rosenzweig & Moore] D-80 b/c
AC50 To No Avail [retro-release] D-80 b/c
AC51 Heavy Metal-Phaze Two D-80 b/c
AC52 The Jupiter Effect [remastered] D-80 b/c
AC53 Ken Moore's STORM (2 CD set for simultaneous playback) 2 X D-80
AC54 Whirlwind and Storm [available only on Bandcamp.com] b/c
AC55 Unconscious Power [Dave Vosh and Ken Moore] Safe Creations D-80 b/c
AC56 Heavy Metal-Phaze Three D-80 b/c
AC57 teXtures [Dave Vosh and Ken Moore] Safe Creations D-80 b/c
AC58 Friday the 13th [limited retro-release] live Ken Moore C-60 D-60
AC59 Heavy Metal-Phaze Four D-80 b/c
AC60 AlmOst mUsIc D-80 b/c
AC61 Modular Landscape [Dave Vosh and Ken Moore] Safe Creations D-80 b/c
AC62 A Minor Eruption [Dave Vosh and Ken Moore] Safe Creations D-80
AC63 The Chess Kingdom [retro-release] Ken Moore D-80 b/c
AC64 Anvil Creations: A Musical History, Volume Three D-80 b/c
AC65 Prism Eye Glass [retro-release/2017] Ken Moore D-80 b/c
AC66 Digital Disturbances (new computer music) Ken Moore C-60 D-80 b/c
AC67 Electronic Mutations (solo Moog synthesizer) Ken Moore C-60 D-80 b/c
AC68 Rain on Terrain Rings Mainly in the Train [Dave and Kern] C-60 D-80 b/c
AC69 Hand Out [The Harsh Box Experiments] Ken Moore C-60 D-80 b/c
AC70 Weather Ore Naught (Ken Moore) DD b/c
AC71 EsCaPe (Ken Moore w/Wayne Myers) DD b/c
AC72 Vast Din (Ken Moore) DD b/c
AC73 SpoTs (Ken Moore) DD b/c
AC74 Dream Catcher (Ken Moore) DD b/c
AC75 GeneKey 64 DD b/c
AC76 trot by ned DD b/c
AC77 Hummingbells DD b/c
AC78 Zurf Vas 2 C-100 b/c
AC79 SmOke! DD b/c
AC80 Night Sky DD b/c
Biographical Information
Ken Moore was born in Baltimore in 1954 to Lithuanian parents, and attended Catholic schools up until 8th grade.
During that time, he studied piano at the school's convent, learning some classical and popular music as well as having access to the church pipe organ. By the time he was in mid-teens, he was ready to sell his baby grand and buy a portable organ with the intention of starting a rock band with his best friend. Members were added to the group until Ken was alone with older musicians from a Catholic high school, and once a 21 year old vocalist was back from Turkey where he was stationed in the US Army, they had someone to sign contracts and play various institutions where they got paid as semi-professional musicians under the name Captain Felix.
After three years, Ken was ready to form another group that would be more suited to play his own brand of art rock, and from two public high schools, a second Captain Felix was born, hitting the Baltimore club scene playing various instrumental versions of commercial music. The three-piece group featured Ken's original keyboard music, and also a shortened version of "The Barbarian" from Emerson, Lake and Palmer's first LP. This attracted an agent during a "battle of the bands" audition, and a recording engineer from NYC came down to record a demo for a disc jockey at WKTK, Baltimore's biggest rock station. The effort did not succeed, primarily due to inexperience, but they did get to hear their ELP song on the radio once before parting ways.
Ken Moore was born in Baltimore in 1954 to Lithuanian parents, and attended Catholic schools up until 8th grade.
During that time, he studied piano at the school's convent, learning some classical and popular music as well as having access to the church pipe organ. By the time he was in mid-teens, he was ready to sell his baby grand and buy a portable organ with the intention of starting a rock band with his best friend. Members were added to the group until Ken was alone with older musicians from a Catholic high school, and once a 21 year old vocalist was back from Turkey where he was stationed in the US Army, they had someone to sign contracts and play various institutions where they got paid as semi-professional musicians under the name Captain Felix.
After three years, Ken was ready to form another group that would be more suited to play his own brand of art rock, and from two public high schools, a second Captain Felix was born, hitting the Baltimore club scene playing various instrumental versions of commercial music. The three-piece group featured Ken's original keyboard music, and also a shortened version of "The Barbarian" from Emerson, Lake and Palmer's first LP. This attracted an agent during a "battle of the bands" audition, and a recording engineer from NYC came down to record a demo for a disc jockey at WKTK, Baltimore's biggest rock station. The effort did not succeed, primarily due to inexperience, but they did get to hear their ELP song on the radio once before parting ways.
While still in college, Ken was able to participate in the first Electronic Music class offered at UMBC, and had his first exposure to alternative composers such as Steve Reich and Phillip Glass. After listening to Morton Subotnick's "Touch" LP, Ken was convinced that progressive rock music was not the only place for Moog synthesizers. His first synthesizer was a minimoog, one of the first original analog synths made in NY, then known as Moog MuSonics. He also acquired an ARP Odyssey, and then an ARP string ensemble which he used extensively in many of his early recordings, along with a Hammond organ. Piano was still a constant, and many of his first compositions were written on that instrument, but he was particularly fond of the organ and based his record collection on how much organ was in the band. Favorite organists were Jon Lord [Deep Purple], Rick Wakeman [Yes], Graham Fields [Rare Bird], Dave Greenslade [Greenslade], Doug Ingle [Iron Butterfly], Goldy McJohn [Steppenwolf], and of course Keith Emerson [Emerson, Lake and Palmer].
After some time recording both his art rock, and some unusual experimental sounds that very few people recognized as music, Ken did begin to sell his music via a mail order system, and the name Anvil Creations Studio was born. Eurock featured two of his first EM tapes, "Tempus Fugit" and "To Come Into Being", but interest in his organ-based music was nonexistent. People like John Diliberto and Tom Bingham were willing to review his music, and Ken was able to make many overseas contacts with others who were playing and recording their own brand of electronic music. Joining the International Electronic Music Association [IEMA], was a boost for his tape distribution, especially after being put in charge of the Group Tape Project, and his work was recognized in Canada [CLEM] and Great Britain [Audion/Auricle Music], with contacts in Germany and Switzerland.
In the mid-eighties, Ken was invited to join another original rock band, Kameleon, where he met Wayne Myers, who with, after three years in Kameleon/Runner, decided to leave that group and record their own original music as a duo, Moore/Myers.
"Reaching Beyond the Sphere" was picked up by Auricle Music, and also their second album, "Nine Days Wonder", was released on compact disc [after the turn of the century]. Before completing the third album [20/20], Ken and Wayne parted ways and Ken went on to release more of his own music on CD-Rs. Elastic Collision (with Frank Ashley) produced two albums of experimental sounds, "Listening at the Speed of Sleep" (2000) and "Visitors Welcome" (2001). Then, after learning of the "Nine Days Wonder" release, Ken was prompted to begin the long process of posting his backlog of music on Bandcamp.com, and added some of his newer works, which eventually evolved into percussion compositions, namely a study of gongs; specifically, tam tams.
After some time recording both his art rock, and some unusual experimental sounds that very few people recognized as music, Ken did begin to sell his music via a mail order system, and the name Anvil Creations Studio was born. Eurock featured two of his first EM tapes, "Tempus Fugit" and "To Come Into Being", but interest in his organ-based music was nonexistent. People like John Diliberto and Tom Bingham were willing to review his music, and Ken was able to make many overseas contacts with others who were playing and recording their own brand of electronic music. Joining the International Electronic Music Association [IEMA], was a boost for his tape distribution, especially after being put in charge of the Group Tape Project, and his work was recognized in Canada [CLEM] and Great Britain [Audion/Auricle Music], with contacts in Germany and Switzerland.
In the mid-eighties, Ken was invited to join another original rock band, Kameleon, where he met Wayne Myers, who with, after three years in Kameleon/Runner, decided to leave that group and record their own original music as a duo, Moore/Myers.
"Reaching Beyond the Sphere" was picked up by Auricle Music, and also their second album, "Nine Days Wonder", was released on compact disc [after the turn of the century]. Before completing the third album [20/20], Ken and Wayne parted ways and Ken went on to release more of his own music on CD-Rs. Elastic Collision (with Frank Ashley) produced two albums of experimental sounds, "Listening at the Speed of Sleep" (2000) and "Visitors Welcome" (2001). Then, after learning of the "Nine Days Wonder" release, Ken was prompted to begin the long process of posting his backlog of music on Bandcamp.com, and added some of his newer works, which eventually evolved into percussion compositions, namely a study of gongs; specifically, tam tams.
During Ken's attendance at Grace Bible Baptist Church in Catonsville, Maryland, he had the honor of playing the orchestra bells in the worship band for Sunday services. This gave him an opportunity to play the glockenspiel in a live situation, and also helped him brush up on his sheet music reading skills.
Also, during his stay at Grace Bible Baptist, he and his wife Carol were able to play with a handbell choir that was conducted by Chuck Ruegg, and his wife Debbie Ruegg. Reading music was not the challenge here, as they had to learn not only to play parts in a score, but to be coordinated enough to only play the notes for the four bells (two for each hand) in front of them. Later, Carol and Ken would acquire a set of bell chimes to use in Ohio, but there wasn't enough people interested in meeting on a regular basis to form a choir.
Before moving to Ohio, Ken [and his wife] were a part of a Christian rock band, A Voice in the Wilderness. Carol did some singing, and played some hand percussion, and Ken had a chance to hone his skills as a trap set performer. At their last gig in Catonsville Baptist Church, they played some Christmas music for the AWANA club, and Ken had another chance to play the Musser orchestra bells before selling them after relocating.
Ken is now using a set of hand drums and is part of the Praise Team at Journey Covenant Church in Cuyahoga Falls, Ohio. Coop and a Guitar performs regularly in the area, and is often joined by Ken with his djembe, or for special events, an entire drum kit. See Contacts for bookings.
Also, during his stay at Grace Bible Baptist, he and his wife Carol were able to play with a handbell choir that was conducted by Chuck Ruegg, and his wife Debbie Ruegg. Reading music was not the challenge here, as they had to learn not only to play parts in a score, but to be coordinated enough to only play the notes for the four bells (two for each hand) in front of them. Later, Carol and Ken would acquire a set of bell chimes to use in Ohio, but there wasn't enough people interested in meeting on a regular basis to form a choir.
Before moving to Ohio, Ken [and his wife] were a part of a Christian rock band, A Voice in the Wilderness. Carol did some singing, and played some hand percussion, and Ken had a chance to hone his skills as a trap set performer. At their last gig in Catonsville Baptist Church, they played some Christmas music for the AWANA club, and Ken had another chance to play the Musser orchestra bells before selling them after relocating.
Ken is now using a set of hand drums and is part of the Praise Team at Journey Covenant Church in Cuyahoga Falls, Ohio. Coop and a Guitar performs regularly in the area, and is often joined by Ken with his djembe, or for special events, an entire drum kit. See Contacts for bookings.
Having celebrated 10 years performing with Richard Cooper, who together perform as Doerr & Drumm, doing non-original music in a more popular context, and in contrast, also performing annually, for 5 years with EM colleague, Dave Vosh, in a melding of modular synthesizer and heavy metal [tam tams] as Safe Creations, Ken has taken leave of the former "coffeehouse duo".
Some of his newer releases include titles such as "PastTime", "XpairAmendT", "Morning Creations" and "Approaching Velocity". The Electronic Music Series which began with "Tempus Fugit", continues with "To Come Into Being" (EMS #2), "Loubi Stem" (EMS #3), "To No Avail" (#4) and "The Jupiter Effect" (#5).
All these and more can be uploaded in almost any format you could want by going to:
http://mooremyers.bandcamp.com
http://anvilcreations.bandcamp.com
A new collection of keyboard music is available from the AC director entitled, "Dancing With...."
See the Contacts section of this web site for information about any of these projects.
Some of his newer releases include titles such as "PastTime", "XpairAmendT", "Morning Creations" and "Approaching Velocity". The Electronic Music Series which began with "Tempus Fugit", continues with "To Come Into Being" (EMS #2), "Loubi Stem" (EMS #3), "To No Avail" (#4) and "The Jupiter Effect" (#5).
All these and more can be uploaded in almost any format you could want by going to:
http://mooremyers.bandcamp.com
http://anvilcreations.bandcamp.com
A new collection of keyboard music is available from the AC director entitled, "Dancing With...."
See the Contacts section of this web site for information about any of these projects.
